Mathématiques 1re S et E

Desk des matières :

Chapitre 1. L’outil vectoriel et analytique
    I. Introduction
    II. Le plan vectoriel (rappels)
    III. Les liaisons « plan ponctuel-plan vectoriel »
    IV. L’outil analytique
    V. Compléments
    Exercices

Chapitre 2. L’outil des transformations
    I. Introduction
    II. variations usuelles
    III. motion sur les configurations élémentaires
    IV. variations associant une determine donnée à une determine donnée
    V. Composition de transformations
    VI. Compléments
    Exercices

Chapitre three. Les angles
    I. Introduction
    II. attitude d’un couple de vecteurs
    III. L’addition des angles
    IV. Propriétés géométriques
    V. Angles et cercles
    VI. Compléments
    Exercices

Chapitre four. Le produit scalaire
    I. Introduction
    II. Produit scalaire de deux vecteurs (rappel)
    III. Produit scalaire en géométrie analytique
    IV. Orthogonalité et cocyclicité
    V. Produit scalaire et lignes de niveau
    VI. Compléments
    Exercices

Chapitre five. Trigonométrie et family members métriques dans le triangle
    I. Introduction
    II. Cosinus et sinus (rappels)
    III. Cosinus et produit scalaire ; sinus et déterminant
    IV. Trigonométrie
    V. kin métriques dans le triangle
    VI. Compléments
    Trigonométrie (formulaire récapitulatif)
    Exercices

Chapitre 6. Rotations et isométries fixant un element donné
    I. creation (quart de tour)
    II. Rotation de centre O et d’angle α
    III. Rotation : théorèmes de composition et propriétés géométriques
    IV. Isométries fixant un element donné
    V. Compléments
    Exercices

Chapitre 7. Le calcul vectoriel dans l’espace
    I. Introduction
    II. L’espace vectoriel E
    III. Droites et plans : repères et vecteurs directeurs
    IV. Éléments de géométrie analytique dans l’espace
    V. Compléments
    Exercices

Chapitre eight. Le produit scalaire dans l’espace
    I. Introduction
    II. Produit scalaire dans E
    III. purposes géométriques du produit scalaire
    IV. Produit scalaire et géométrie analytique
    V. Compléments
    Exercices

Chapitre nine. l. a. sphère
    I. Introduction
    II. l. a. sphère : définition et premières propriétés
    III. part d’une sphère
    IV. Détermination d’une sphère
    V. Surfaces de révolution
    VI. Compléments
    Exercices

Chapitre 10. Statistiques
    I. Introduction
    II. Les caractéristiques de position
    III. Les caractéristiques de dispersion
    IV. Compléments
    Exercices

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Magick attracts the pretentious like flies to shit, and Lord knows there are too many ham magicians out there who take themselves too damn seriously. With postmodernism came Chaos Magic and Discordianism, and the advent of the humorous magical name—after all, magick doesn't need to be serious in order for it to work, does it? Prometheon became Potatoface the Slowly Reclining, and magick became a bit of a laugh. Magick also attracts yahoos like flies to shit, and there are too many ham magicians out there who think themselves too damn funny.

EXERCISE 12 1. Devise and adopt a magical name you are comfortable with, using the means you find most suitable. 2. Once created, investigate what the name says about your approach, perception and understanding of magick. Record the results from adopting this name (this will be ongoing). 3. Revise your magical name as and when necessary. THE MAGICAL O A T H Picture the scene: a shadowy chamber lit by candlelight, swirling incense smoke, a robed and hooded assembly; the glint of sharp steel as a blade is pressed against the throat of a bound and naked young man.

Create a sigil by omitting repeated letters, and then arranging the remainder into an arbitrary, abstract glyph. 3. Masturbate. 4. At the point of orgasm, visualise the sigil. 5. Torget about it. 6. Record the result in your diaTy. How long it will take for the desire to manifest varies, but in my experience it's usually the next day or so. And that's sigil magick! SEX W I T H STATIONERY Everything I have said so far, however, is old hat. It is both amusing and very sad that no one has advanced the technique of sigilisation for almost a century.

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