By Jabbour Douaihy
On sixteen June 1957, a shoot-out in a village church in northern Lebanon leaves dozen humans lifeless. within the aftermath of the bloodbath, town is hire in : the Al-Ramis within the north and their competitors the Al-Samaeenis within the south. yet lives as soon as so heavily intertwined can't simply be divided. Neighbours develop into enemies and husbands and better halves are compelled to select from loyalty to one another and loyalty to their extended family.
Drawing on an exact killing that happened in his domestic city, Douaihy reconstructs that June day from the viewpoints of people that witnessed the killing or whose lives have been perpetually altered by means of it. a tender lady overhears her father lending his gun to his cousins, yet refusing to accompany them to the church. a college boy walks earlier the lifeless our bodies, specified by town sq. on beds introduced out from the homes. A baker whose store is trapped at the improper part of the road hopes the ladies who purchase his bread will shield him. on the heart of the portrait is Eliyya, who, 20 years after emigrating to the U.S., returns to the village to profit in regards to the father who was once shot during the center within the bloodbath, the daddy he by no means knew.
With a masterful eye for element, Douaihy reconstructs that fateful June Sunday while rain poured from the sky and the traditions and affections of village lifestyles have been fed on by way of violence and revenge.
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Extra resources for June Rain
La única Marilyn que vi en el cine es Marilyn Brando. Gran actriz. Me mató con su actuación en La Madrina, que para mí es la mejor película de Francesca Ford Coppola. La situación comenzaba a inquietarme. El hasta ese momento insospechado (para mí) delirio de Diana había construido una cinematografía con los sexos invertidos. Aunque no del todo coherente, ya que a Gregory Peck y Jerry Lewis los había dejado intactos. –¿La... Madrina? –Sí. Basada en la novela de María Puzo. –Sí. Ya veo –dije, y luego de mirarla fijamente a los ojos esperando alguna clase de desmentido (una palabra, una sonrisa, o lo que fuese), añadí: –lo que no sé es si me estás tomando el pelo o si estás más loca que mi hermana.
Alfombra. Whisky con hielo. O yogur. Así empecé a desvariar, y a hacerme algunos ligeros toques masturbatorios con la mano desde el bolsillo. Nada serio, nada que hiciera trabajar mucho la próstata. Apenas un aviso, para que ésta supiera lo que le esperaba más tarde y se pusiera en guardia, preparándose para luego estar a la altura de los acontecimientos. Es bueno aclarar que la mano con que realicé estas maniobras secretas, amparado en la opacidad de mi escritorio, fue la izquierda. Para una masturbación plena y completa yo siempre había utilizado la derecha, pero con el pantalón puesto el bolsillo izquierdo estaba mucho más cerca de mi miembro y allí tuve que fijar obligadamente mi base 62 | Leo Maslíah de operaciones.
Qué pasa? –pregunté a Diana–. ¿Siempre atienden en casal, acá? –Parece que sí –dijo ella–. Yo nunca había venido acá, pero sé de varios bares donde es así. –Nunca vi. Pero por lo menos podía haberte atendido el mozo a vos y la moza a mí –dije, bromeando. –Así es en los bares porno –contestó Diana. La mujer loba ataca de nuevo | 33 –¿Bares porno? ¿Y vos qué sabés de eso? –Sólo de oídas –se apresuró a decir ella–. No te sulfures. –¿Se puede saber qué te dio por andar ventilando nuestras intimidades con mi hermana?